Not the kind of stuff I would generally post, but a nice collaborative, long-distance production between a reporter, a shooter and me as a script and video editor.
Friday, August 6, 2010
Thursday, August 5, 2010
Peng Chau Island
'It's important to get out of Hong Kong sometimes,' multiple people have said to me.
'You'll see. You need to,' they echoed each other.
It's strange to have a collective experience of a place. People tell you how you will feel and what you will think about this place and you feel and think that way. There's the claustrophobia on the streets, the cliched pangs of gweilo loneliness, the amusement over the ridiculous details of life in this city.
It's strange to have a collective experience of a place. People tell you how you will feel and what you will think about this place and you feel and think that way. There's the claustrophobia on the streets, the cliched pangs of gweilo loneliness, the amusement over the ridiculous details of life in this city.
Taking a ferry to one of the islands surrounding Hong Kong island can be a light version of 'getting out,' I guess. There were open spaces, there was less noise, there were dogs, big dogs, many of them and most of them weird ones. There was a family on the beach, bathing in their shorts and shirts and carving off mussels from a few rocks with a hammer and sickle. And there were old Chinese men, snotting and coughing while conversing in plastic chairs in public areas.
But you don't want to be stuck on an island where you have no place to stay. There's a hammock outside a French bar there with sniffing pugs and labradors swarm around its dozing users. But you couldn't really feel comfortable in there and the owners of the bar would probably have shooed you away soon after closing. So you have the ferry schedule in the back of your mind as it's getting darker and darker. You finish your water, your beer and your sandwich. You walk up to the pier.
The you beep your way through the railing with an electronic ticket, aptly named an octopus card, and walk onto the rocking, air-conditioned ferry. You can't decide whether to feel sick or sleepy.
Outside it was still hot. Humid, too, of course.
Tuesday, August 3, 2010
80 billion guys
Sunday, June 13, 2010
My Moleskin
I was always a tedious note taker. I like highlighters in different colors, red pens that I alternate with black pens. I like .75 ball pens because it's more fun to write with them than with the .50 ones.
Bullet points were a great way for me to think about subjects, even essays. I always called it my German urge for order.
It's kind of funny to think that that is how I process the death of first my grandmother and now the imminent exitus of my grandfather.
I'm making it into a project, a step-by-step visualization of what started out as an essay about my granny's funeral and is now a clumsy attempt to understand my identity via genealogy.
I've sent out an excel sheet for my family to fill out and it fills me with joy.
Labels:
documentary,
infographics,
interactivity,
memorybox
Tuesday, May 25, 2010
Shanghai
Tuesday, May 4, 2010
Beijing
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